


HOPSCOTCH performance
Concept by Nona Ciobanu based on poems by Iulian Tanase
A performance in which contemporary dance, whirling dervish, puppetry, video, contemporary poetry, Persian music (kamancheh) are intertwining. A puzzle of fragments (shadows, reflections, distortions) which overlap as a decomposed paradigm of our beings trespassing a hopscotch game.
A Persian musician reveals as a master magician a poem to a puppet, which is “absorbed” in its universe, creating a surrealist journey of the spoken/written word.
Virtuoso Iranian player of kamancheh (the ancient Persian spiked fiddle, the ancestor of violin)and composer, nominated for Grammy Awards, Kayhan Kalhor, the Turkish/Austrian dancer of international acclaim, Ziya Azazi whose original contemporary choreographies are based on the whirling rituals of Sufi dervishes, the innovative puppeteer Barbara Bulatović known for the new approaches in puppetry and its interaction with other media, visual artist and designer Peter Košir whose works are based on 3D virtual spaces, video and architecture, are creating as performers the sense of the traveling of a being towards its “center” (in)to the hopscotch game.
The texts used in the performance are surrealist poetry of the Romanian writer Iulian Tanase, translated into Slovenian language by the poet Ales Mustar, and “becoming alive” through the voice, as the storyteller, of the renowned actor Igor Samobor.



Toaca Fundation with Festival Ljubljana, presented at KAZEMATE Gallery, Ljubljana Castle, Slovenia
JULY 2010
concept, directed by
NONA CIOBANU
set design
PETER KOŠIR
costumes, music, light design
NONA CIOBANU, PETER KOŠIR
videoprojection
PETER KOŠIR
coreography
ZIYA AZAZI
puppets
BARBARA BULATOVIČ
translation
ALEŠ MUSTAR
Galerie foto

Distribuție
kamancheh
KAYHAN KALHOR (Iran/USA)
dance
ZIYA AZAZI (Turkey/Austria)
puppet
BARBARA BULATOVIČ (Slovenia)
storyteller
IGOR SAMOBOR (Slovenia)
Awards
Fragmente din presa
Kayhan Kalhor's music speaks from an ancient Persian tradition while sounding timeless and spiritually invigorating today.
BBC
Ziya Azazi controls the stage with as wonderful a piece of bravura over-the-top, danger filled acting and tumbling as you are likely to see.
The Guardian
Romanian director Nona Ciobanu views theater as a place for poetic transformation.
The San Diego Union-Tribune
Project RISTANC / HOPSCOTCH took part in the frame of
Ljubljana World Book Capital
and was supported by City of Ljubljana, Ljubljana Festival, Romanian Cultural Institute through Cantemir Programme, KUD France Prešeren Trnovo, Toaca Cultural Foundation.