International Theatre Performances

“Manuscripts do not burn.” Neither does the truth, be it in a burlesque fantasy, in a story of love, laughter and terror ...

An alluring banquet by the sea - a contemporary performance with recitals of newly written poetry by celebrated Maltese poet Immanuel Mifsud.

A former Nazi officer and a woman who was once a prisoner in a concentration camp accidentally met in Vienna thirteen years after the war. Their relationship in the camp began with a rape.

The attempts to escape the past are hopeless, once, today and anytime in the future.

The curtain can be seen as one of the major symbols of theater, having the role of creating a boundary between two worlds: the real world and the one of imagination ... both the magical world of theater and our daily one.

Theatrical adaptation after “The Fever” by Wallace Shawn

The play is a version of the Romanian myth in which Dorde searches for the elusive goal of immortality

A performance in which contemporary dance, whirling dervish, puppetry, video, contemporary poetry, Persian music (kamancheh) are intertwining. A puzzle of fragments (shadows, reflections, distortions) which overlap as a decomposed paradigm of our beings trespassing a hopscotch game.

The installation concentrates on the hopscotch as a graphical and a spatial representation of a dictionary of emotions and images, as an invitation and an exercise of freedom and playfulness, as a journey through inner and outer dimensions of yourself, as a perpetual changing, as a puzzle.

On the island drifting away on the borderline between reality and imaginary, a space that for a while becomes Prospero’s, the sound of love is tuning up.